The craft

Solid silver, drawn into woven lace.

Filigree looks effortless. Its lightness is built through exacting stages of drawing, shaping, filling, joining and finishing by hand.

  1. 01

    The material

    The process begins with silver prepared for wire work. Exact purity is a product-level claim and appears only when it has been verified for that piece.

  2. 02

    Drawing the wire

    Silver is repeatedly drawn through smaller openings until it becomes a fine, workable thread. This patient reduction gives filigree its lightness.

  3. 03

    Shaping the framework

    A slightly firmer wire forms the outline: the structure that establishes the piece and the spaces the ornament will fill.

  4. 04

    Filling and weaving

    Fine wire is twisted, curled and arranged into repeated elements, then fitted by hand within the framework.

  5. 05

    Joining the form

    The prepared elements are assembled and carefully joined so an intricate pattern becomes one stable object.

  6. 06

    Cleaning and finishing

    The surface is cleaned, refined and polished with restraint, preserving the crisp detail and evidence of handwork.

  7. 07

    The finished piece

    Form, joins, finish and physical specifications are checked before a ready-to-ship piece is listed.

A language of pattern

Three recognised approaches

Meenakari

Enamel colour is introduced alongside the silver work, bringing contrast to selected surfaces and details.

Khulla Jaal

An open-net treatment that makes space part of the design, creating the airy lace-like quality associated with filigree.

Flowers & Leaves

Botanical forms are built from curls, loops and repeated wire elements, echoing the craft’s enduring natural motifs.

Cart contains 0 items